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In the 1980 slasher film Friday the 13th, Savini expanded his repertoire of blood and gore. The following year, working with a larger budget on Dawn of the Dead, Savini created his signature palette of severed limbs and bite-marks. Romero, providing a convincing wrist-slashing effect in the opening scenes of Martin (1978). Savini got his breakthrough working with Pittsburgh filmmaker George A. Among other projects, Smith is known for his groundbreaking work in The Exorcist. Early in Savini's career, Dick Smith became an inspiration and a guide, later becoming an associate at Savini's Special Make-up Effects Program. His signature style and techniques bring vivid realism to genre films. Savini is primarily known for his groundbreaking work in the field of special make-up effects, also known as prosthetic makeup. Many of his characters have been bikers or madmen who are hardened and eerily evil. Much of his stunt work and some of his characters reflect these graceful abilities however, he is also accomplished with a bull whip and can easily execute a motorcycle stunt. Īmong the many talents Savini achieved as a young man was the art of fencing, he is a tournament fencer as well as an accomplished gymnast. As a result of this incident, Savini earned the nickname "Duck Slayer" and to this day will not eat duck. That same evening, the bunker came under attack and several soldiers were wounded or killed. Due to his failure to follow orders, Savini was taken off guard duty from his bunker on the following evening. Other soldiers likewise began firing until a duck wandered from the bush completely unharmed. Against military protocol, Savini fired into the bush without informing his superiors.

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In 1970, while on guard duty, a flare was triggered in the jungle area Savini was watching. I incorporated the feeling of the stuff I saw in Vietnam into my work." Some people die with one eye open and one eye half-closed, sometimes people die with smiles on their faces because the jaw is always slack.

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Savini said his wartime experiences influenced his eventual style of gory effects: "I hated that when I watched a war movie and someone dies. Using the lens of his camera, Savini separated himself from the real life horrors of war however, all the images still haunted his mind. Now, as an artist, I just think of creating the effect within the limitations we have to deal with." He continued to practice with makeup in Vietnam, often frightening indigenous peasants by appearing to suddenly transform into a "monster". To cope with it, I guess I tried to think of it as special effects. My job was to shoot images of damage to machines and to people. In a 2002 interview, he told the Pittsburgh Post "When I was in Vietnam I was a combat photographer. Savini served as a combat photographer during the Vietnam War. He appeared in stage productions throughout college and continued on stage long after his tour of duty in Vietnam.

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After his tour in Vietnam, he attended Carnegie-Mellon University, as the first undergraduate to be awarded a full fellowship in the acting and directing program. Savini attended Point Park University for three years, before enlisting in the United States Army. Combining his makeup applications and homemade costumes, he especially enjoyed scaring his friends. He also discovered another passion, acting. Įxperimenting with whatever medium he could find, the young Savini practiced creating makeup effects on himself, later convincing his friends to let him practice his craft on them.

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As a boy, his inspiration was actor Lon Chaney, Sr., and Savini attributes his earliest desires to create makeup effects to Chaney and the film Man of a Thousand Faces. He was raised Catholic and graduated from Central Catholic High School.

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Savini was born on November 3, 1946, in Pittsburgh, Pennsylvania, and is of Italian descent.

  • 4.2 As a make-up artist/special effects technician.
  • As an actor and stuntman, he has appeared in films such as Martin, Dawn of the Dead, Knightriders, From Dusk till Dawn, Planet Terror, Machete, Django Unchained and Machete Kills.

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    Savini directed Night of the Living Dead, the 1990 remake of Romero's 1968 Night of the Living Dead his other directing work includes three episodes of the TV show Tales from the Darkside and one segment in The Theatre Bizarre.

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    Romero, including Martin, Dawn of the Dead, Day of the Dead, Creepshow and Monkey Shines he also created the special effects and makeup for many cult classics like Friday the 13th (parts I and IV), Maniac, The Burning, The Prowler and The Texas Chainsaw Massacre 2. He is known for his makeup and special effects work on many films directed by George A. Thomas Vincent Savini (born November 3, 1946) is an American prosthetic makeup artist, actor, stunt performer and film director.








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